Tate Britainlnstituto Cervantes

Barbican and Ciné Lumière (French Institute)

March/April/May/June 2012


To complement Picasso’s major exhibition at Tate Britain ‘Picasso and Modern British Art’,  Sin Fin Cinema presents GOING BACK TO REALITY Portraying Pablo Picasso on the canvas in motion, a carefully selected body of films, ranging from documentary to experimental, from short film to video art. This programme reveals the lesser known aspects of the Spanish artist’s life and highlights all those essential elements that have been distilled from his works influencing later generations of visual artists, such as the British David Hockey and Henry Moore.


GOING BACK TO REALITY Portraying Pablo Picasso on the canvas in motion refers to a 1981 interview between Melvyn Bragg and David Hockney. In it, Hockney offers a personal account of the development of modern art in the 20th century, and defends its frequent divergence from ‘photographic’ realism; he traces the beginning of the modern movement back to Van Gogh and Cezanne, and to the new interest in stylised Japanese art, which did not concentrate on verisimilitude. In that sense, Hockney maintains that the truly radical development was Cubism. This new technique of depicting reality, which Picasso and Braque developed in the summer of 1917, with its shifting points of view, selective focusing and reliance on knowledge of the subject, marked a breakdown in conventional representation. Using Picasso and Matisse as examples, he demonstrates the ability of modern styles to convey emotions and experiences more vividly than others. According to Hockney, Cubism was the only kind of painting faithful to reality after the advent of photography.


With this film season we are providing a unique opportunity to find out more about Picasso’s life and working process: his youth spent years living in Barcelona and Paris, the friends who surrounded him and the artists that inspired him.


It is undeniable that Guernica and its symbolism, which the artist never wanted to reveal, still continues to raise questions, speculations and investigations. Focusing on one of Picasso’s masterpieces, GOING BACK TO REALITY discloses some of the enigmas surrounding one of the world’s best known paintings. Further, with a special section devoted to British artists, this film season will also discover how cubism would find its way into the work of some of Britain’s major artists such as Duncan Grant, David Hockney and Ben Nicholson.


How Picasso became one of the most celebrated painters in the world and how he became viewed as a genius, are a few of the many questions that this film season will answer.


Virginia Pablos

Director & Founder


GOING BACK TO REALITY Portraying Pablo Picasso on the canvas in motion launches on 2 March 2012 at Tate Britain, as part of the its celebrated event Late Tate. After, the programme will spread over April, May and June, with Barbican, Instituto Cervantes and the French Institute hosting the screenings and especial events.








The Mystery of Picasso

Dir. Henri-Georges Clouzot.
Cast: Pablo Picasso, Claude Renoir, Henri-Georges Clouzot.
France l 1956 l 78 min l Documentary Film

With this film, Henri-Georges Clouzot gave viewers the chance to see the techniques of the most influential painters  of the twentieth century, Pablo Picasso. Filmed in the painter’s studio, this unmissable documentary shows us, stroke by stroke, the birth of a masterpiece: We see Picasso in the act of creating paintings for the camera which he then subsequently destroyed, so that they would only exist on film. In this unique film, the whole process of creating a work of art is shown, from the beginnings with Picasso’s simple marker drawings in black and white, until he is gradually progressing to full scale collages and oil paintings. It won the Special Jury Prize at the 1956 Cannes Film Festival.


Preceded by the video art film
Visiting Dora 

Dir. Ellen Wetmore 
USA l 2010 l 2min l Video Art Film

“Visiting Dora Maar” began as a study of Picasso’s portrait of Dora Maar he painted when they were lovers. Visually considered in the lens of the canonical art history portrait, Picasso created a portrait where her features seem to fracture, move about in space and time and become undone. Ellen Wetmore managed to capture the master’s stroke and, using video images of herself, transformed “Visiting Dora Maar” into a moving image meditation about identity and self-assembly, “falling apart”                                                             and “pulling oneself together”.


This screening will be followed by a panel discussion


Thu 5th April l 6.30pm l £10, Concessions £8 l Ciné Lumière

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Picasso: Magic Sex Death

Dir. Waldermar Januszczak
UK l 2001 l 151 mins l Documentary Film

In an effort to understand the legendary artist’s inspiration, the film examines Picasso’s life as well as his obsessions with the occult, with eroticism, and with mortality. Written and narrated by Picasso’s friend and biographer, John Richardson, this three part film biography is a fascinating insight into the unknown life of Picasso, his fears and his fascinations.



Fri 2th March l 7pm l FREE SCREENING l Tate Britain. Duffield Room. Late Tate



Picasso & Braque go to the movies

Dir. Arne Glimcher. 
CastMartin Scorsese, Tom Gunning, Kim Tomadjoglou, Jennifer Wild, Adam Gopnik, John Richardson, Bernice Rose, Natasha Staller, John Yau, Chuck Close, Eric Fischl, Lucas Samaras, Julian Schnabel, Coosje Van Bruggen, and Robert Whitman

USA l 2008 l 62 mins l Documentary Film

A documentary that looks at how early filmmaking influenced the Cubist painters Pablo Picasso and Georges Braque. Produced by Martin Scorsese and Robert Greenhut, Picasso and Braque go to the movies is a cinematic tour through the effects of the technological revolution, specifically the invention of aviation, the creation of cinema and their interdependent influence on artists Pablo Picasso and Georges Braque.  With narration by Scorsese, and interviews with art scholars and artists including Chuck Close, Julian Schnabel and Eric Fischl, the film looks at the collision between film and art at the turn of the 20th Century, and helps us to realise cinema’s continuing influence on the art of our time.


Preceded by the video art film

Dir. Robert Gordon
UK l 2009 l 2:30 mins l Video Art Film

A short film inspired by the likes of Picasso, Braque and Duchamp. With talent and creativity, Robert Gordon managed to capture the visual essence and techniques of Cubism and transform them into a beautiful work of moving image.




This screening will be followed by a panel discussion with John Wyver and Kevin Jackson.


24th June l 2.30pm l £9.50, Concessions £8.50 l Barbican

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Land without Bread

Dir. Luis Buñuel Spain l 1933-36 l 32 mins l Documentary Film
Cast: Abel Jacquin and Alexandre O’Neill

Portraying the isolated region of Las Hurdes, an inhospitable Spanish landscape inhabited by people without hope, Land without Bread serves to heighten the devastating imagery of human misery.
Premiered at the Press Palace in Madrid in 1933, the film was immediately banned by the Spanish Republican Government because of its “negativism”. It was later learned that Buñuel used editing tricks to dramatise several sequences and shots in order to rework the traditional documentary style.This Buñuel’s personal “essay in human geography”, is an astonishing documentary that never leaves few people indifferent.


Followed by a panel discussion with Joanna Evans, Sarah Wright and Manuel Ramos. 


Fri 4th May l 6.30pm l FREE SCREENING l Instituto Cervantes.
Highly recommended to book in advanced, please contact: reservas.londres@cervantes.es


The Spanish Earth

Dir. Joris Ivens. Cast: Manuel Azaña, José Díaz and Dolores Ibárruri
USA l 1937 l 52 min l Documentary Film

Considered one of the greatest war films ever, The Spanish Earth was produced with funds raised by a group of American intellectuals and Hollywood members who wanted to support the Spanish Republic, including poet Archibald McLeash, writer Lillian Hellman, Ernest Hemingway, and composer Virgil Thomson.
The film portraits the defence of Madrid and how its inhabitants try to survive and produce food for their soldiers. Stunningly shot, often in dangerous battle areas where the Spanish Civil War was taking place, The Spanish Earth can be considered one of the most significant and timely documents of our time.
After the war, Franco’s government declared Joris Ivens  ̈a persona non grata ̈ and banned him from entering the country.The filmmaker returned to Spain for the first time after the prohibition in 1985, when the Madrid’s Cinémathèque paid a deserved tribute to him.


Preceded by the short film



Dir. Alexis Peña, Adrián Sevillano, Miguel Ángel Fernández and Pablo Piñeiro
Spain l 2009 l 1:47 min l Short Film

A fresh interpretation of Picasso’s Guernica.







Followed by a panel discussion with Paul Prestón, Joanna Evans and Peter Anderson.


Fri 11th May l 6.30pm l FREE SCREENING l Instituto Cervantes.
Highly recommended to book in advanced, please contact: reservas.londres@cervantes.es



Canciones para después de una guerra

Dir: Basilio Martín Patino Cast: Imperio Argentina, Estrellita Castro and Miguel de Molina

Spain l 1971 l 115 mins l Documentary Film

Made clandestinely using found footage and sound recordings from the Spanish Post-war period, the film couldn’t be released until after the dictator General Franco had died.

The film documents popular songs in the period immediately after the Spanish Civil War ended in 1939, but when re-editing the images, Patino managed to dislocate them from their original purpose and intention, revealing new readings, meanings and questions. Canciones para después de una guerra consists of a collage of signs rescued from oblivion; Songs of patriotic exaltation, religious devotion and victorious voices. Unusual and daring, dissenting with respect to any regulations, academic or aesthetic cannons, this masterpiece sent shockwaves throughout Spanish society, regardless of age and political leanings.


This screening will be followed by a panel discussion with  Joanna Evans, Sarah Wright and Peter Anderson.


Fri 18th May l 6.30pm l FREE SCREENING l Instituto Cervantes.
Highly recommended to book in advanced, please contact:  





On April 26 1937, the small Basque town of Guernica was bombed without warning by the German aviation. Like millions all over the world, Pablo Picasso remained shocked by the military atrocities and translated his emotions and anger into a magnificent but terrifying canvas bearing the name of the martyred city.
The Guernica painting was commissioned by the Spanish Republican government to be displayed inside the Spanish Pavilion at the 1937 World’s Fair Paris Exhibition, alongside two of the most significant works depicting and denouncing the horrors of the Spanish Civil War; Joan Miró’s The Reaper and Alexander Calder’s Mercury Fountain.
In a time when the Spanish Civil War was destroying Spain and the World War II was knocking on Europe’s doors , the international impact of the canvas, with a dimension of 349,3×776.6 centimetres, was absolutely enormous.
Even today, this masterpiece continues to be embedded in the retina of our time



Dir. Alain Resnais & Robert Hessens
Screenplay: Paul Éluard (poem) Cast: María Casares, Jacques Pruvost
France l 1950 l 13 mins l Short Film l Special 16mm print

After a brief voiceover by Jacques Pruvost highlighting the Guernica massacre, María Casares recites a poem by Paul Éluard on the subject, whilst oppressive musical arrangements and shots over the Guernica painting are accompanied with her voice. Alain Resnais and Robert Hessens revisited Picasso’s work in order to return to that precise period in history; The atrocities of the Spanish Civil War and its tragic consequences.

Fri 2th March l 8.45pm l FREE SCREENING l Tate Britain. Auditorium. Late Tate



A Farewell to Arms Dir: Frank Borzage

Dir: Frank Borzage

Cast: Gary Cooper, Helen Hayes and Adolphe Menjou
USA l 1932 l 80 minutes l Feature Film

Based upon an Ernest Hemingway’s semi-autobiographical novel published in 1929, A Farewell to Arms is a tale of love, focused on the tragic romance between an ambulance driver, Lt. Henry, and a nurse during the World War I.This anti-war drama, set in Italy, shows one of the most thrilling visions of the power of love during war times. No other director created images like these, using light and movement like brushstrokes, integrating naturalism and daring expressionism in all his shots.

Premiered in Paris in 1933, this romantic melodrama has a sequence of less than 5 minutes, (showing a night exodus of military and civilian population on a road whilst being bombed), which according to José Luis Alcaine, , keeps striking parallelism with the main characters in Picasso’s painting, frame by frame.


Followed by a panel discussion with José Luis Alcaine


José Luis Alcaine, a cinematographer who has worked with some of the most prestigious Spanish filmmakers such as Pedro Almodóvar (The Skin I Live in) and Víctor Erice (El sur), believes that when Picasso was painting the Guernica, his inspiration was cinema, and precisely, A Farewell to Arms film.
In a lengthy article published recently at the Cameraman magazine,Alcaine reveals details of a study that he has been working for months, in which he asserts that in 1937, when Picasso painted the mural, A Farewell to Arms was still screening in cinema theatres around the world.At that time, due to the distribution system, films were made and booked for up to six years in a screening room. Alcaine’s theory concludes that Picasso must had seen the film, not only because of his personal and close friendship with Hemingway(Gertrude Stein introduced them) but because during that period, cinema was seen as the most effective way to document reality.
Jose Luis Alcaine will reveal all details of his new theory and controversial study.


Sat 23th June l 3pm l £9.50, Concessions £8.50 l Barbican

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Paris the Beautiful

Dir. Pierre Prévert
Cast: Arletty, Jacques Prévert, Gazelle Bessières, Marcel Duhamel and Max Morise
France l 1959 l 20mins l Documentary Film

Combining black and white excerpts from the 1928 film Paris Express with colour sequences shot in the same locations in 1959, Pierre Prévert’s experimental documentary retraces two versions of Paris through the photographs of Man Ray and French cinematographer Sacha Vierny.






Paris 1900

Dir. Nicole Védrès 
Claude Dauphin, Mistinguett and Monty Woolley
France l 1948 l 80 mins l Documentary Film

Paris 1900 vividly conveys the mood of a world in transition, from the exuberance of the ¨Belle Epoche¨  to the shattering shattering impact of a world war. One of the most important documentary films made in France soon after the end of WWII, it contains many historically important images and assembles an extraordinary but nostalgic portrait of Paris’ fin de siècle. Védrès used archival footage and other materials for Pathé’s huge stock of film, extracts from Henri Langlois’ archive and the Cinémathèque Française. Claude Dauphin’s ironic comments prevent the film from being dry and uninteresting, providing the necessary links between the archival images and the director’s intentionality.


Sat 14  April l 4pm l £10, Concessions £8 l Ciné Lumière

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David Hockney on Modern Art

Dir: David Rowan
UK l 198l l 46 min l Documentary

David Hockney on Modern Art. A personal account by Pop artist, David Hockney of the development of twentieth century European art.

The most highly publicised British artist since the Second World War, David Hockney was born in Bradford, Yorkshire, on 9 July 1937. In 1959 he began his studies at the Royal College of Art, London, where he met R.B. Kitaj, Derek Boshier, Allen Jones, Peter Phillips and Patrick Caulfield. Among the visiting artists were Francis Bacon, Richard Hamilton, Joe Tilson, Peter Blake and Richard Smith. In 1960 he saw the major Picasso exhibition at Tate Gallery in London and became instantly fascinated by the artist’s style and techniques. In 1973 Hockney went to live in Paris for a while. He took the opportunity while he was there to work with Aldo and Piero Crommelynck, who had been Picasso’s master printers, and produced a series of etchings in memory of Picasso who had died earlier that year, and who had been one of Hockney’s heroes since he saw the Picasso exhibition at the Tate Gallery in the summer of 1960.


Fri 2th March l 9pm l FREE SCREENING l Tate Britain.  Auditorium. Late Tate




Pablo Picasso: The Legacy of a Genius

Dir: Michael Blackwood
Cast:Dominique Bozo, Anthony Caro, Clement Greenberg, David Hockney, Roy LichtensteinMattaHenry MooreRoland Penrose,  Robert Rosenblum and George Segal

USA l 1981 l 89 min l Documentary Film
Exploring the breadth of the artist’s achievements through the insights and speculations of fellow artists, close relatives, historians, and critics, the film centers on thirteen key works which vividly represent the major turning points in Picasso’s career. Robert Rosenblum, an art historian and a noted authority on Picasso, introduces us to these key works. Dominique Bozo, founder of the Musée Picasso, visits the places in Paris and the south of France where the artist lived and worked, and discusses the relationship between his milieu and art. Critic Clement Greenberg and Picasso’s biographer Roland Penrose present their views on many important issues in Picasso’s career.
Several generations of painters and sculptors have had to contend with the scope of Picasso’s vision. Among others, Henry Moore, Matta, Anthony Caro, David Hockney, George Segal, and Roy Lichtenstein comment on the ways in which Picasso’s oeuvre has affected their own artistic sensibilities. Pablo Picasso: The Legacy of a Geniusis an assessment of the 20th century’s best known artist and his vast achievements.

This screening will be followed by a panel discussion by Lynda Morris and Kevin Jackson.

Sat 30th June l 3pm l £9.50, Concessions £8.50 l Barbican

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